Riešinės Knitted Wrist Warmers

Download printable PDF including full pattern with extra charts and video links.

Materials and Tools

Beginner: 1 skein of Cascade 220 (or equivalent worsted-weight wool), US size 5 (3.75mm) straight or circular needles, approx 160 size 6/0 seed beads 

Intermediate: 1 skein of Koigu KPPPM (or equivalent fingering-weight wool), or equivalent fingering weight wool yarn, US size 1  (2.25mm) straight or circular needles, approx 200 size 8/0 seed beads

Advanced: 1 skein of Cascade 220 Fingering (or equivalent light fingering-weight wool), US size 000 (1.5mm) straight or circular needles, approx 240 size 10/0 seed beads
 
Beading needle, crochet hook same size as needles or close

Knitting with Beads

There are many different ways to knit with beads. This is the method that is used in Lithuania when knitting garter-stitch wrist warmers.

Only WRONG SIDE rows are shown on the charts.

Knit a RIGHT SIDE row with no beads, then work the charted row as follows:

Slip 1 knitwise with yarn in front for a slip-stitch edge (optional). Do not count this stitch.

Knit the plain stitches (green on the chart) normally. When you come to a white square on the chart, slip a bead up to the needles and push it right up against the work that’s already been knitted, then knit the next stitch, pulling it tight to hold the bead in place. This counts as one bead stitch.

 

The bead sits between two stitches on the needles and will naturally go to the back of the work, which is why we knit in the beads on the wrong-side rows.

Remember, ONLY the beaded rows are shown. Click image to enlarge. 

Basic Pattern

Basic knitting skills are required. 

Instructions

Make 2 alike.

Using a long tail cast on and two needles held together, CO as follows: beginner 30 sts, intermediate 40 sts, advanced 50 sts.

Row 1 (RS): Knit. 

Row 2 (WS): Slip1, knit following chart from right to left, placing beads as indicated. (The same chart is used for all versions)

Row 3: Slip1, knit across all stitches without placing beads. 

Rep rows 2 and 3 until wrist warmer is desired circumference to fit around wrist. If possible, end after completing a repeat of the charted pattern. 

Bind off. 

Finishing

Sew the cast-on and bind-off edges together. Weave in ends.

Crochet Borders

Shells

To be exact in your numbers, you’ll need a multiple of 6 stitches plus 1. For example, 36 + 1 = 37 or 18 + 1 = 19. But since we are crocheting into the edge of a knitted piece, you can fudge on the last couple of shells to make them fit.

• Join the yarn to the knitting (this counts as the first single crochet).

• *Skip 2 stitches, 5 double crochets into next stitch, skip next 2 stitches, single crochet into next stitch, repeat from * to end.

• Slip stitch to first single crochet to join and fasten off.

Picots

Work a row of single crochet, but after every second, third, or fourth stitch (your choice) make a picot as follows: Chain 3, 4 or 5 stitches (again your choice), slip stitch to first stitch in the chain.

Beaded Picots

Attach the yarn as for other forms of crochet. Slide 6-9 beads up to the join, then make a single crochet. Pull the loop very large and draw the whole ball of yarn through it as if you’re fastening off. Repeat from * all the way around and after the last stitch, cut the yarn and pull the tail through instead of the ball, to actually fasten off.

 

Videos

Thank you to Donna Druchunas for generously sharing her videos and instructions with us. Below are videos for knitting with beads. For more knitting and crochet skills used in making wrist warmers, see this YouTube playlist.

© 2024 The Lithuanian Folk Art Institute. All Rights Reserved. 

Past LTFAI.org Talks
Here’s what you have missed. Get updates of upcoming events. Sign up for our email newsletter.

Traditional Crosses in Lithuania:
Lithuania is sometimes called the land of crosses. Crosses and unique pillar shrines with various sculptures have been an integral part of the Lithuanian landscape for several hundred years.  They represent not only religious symbolism but national identity especially in times of repression.  We will look at and discuss the amazing wooden carving and iron work of this important folk art and touch on the well known Kryziu Kalnas (Hill of Crosses) site in Lithuania.


Wool (Vilna):
Wool Crafts in Lithuania: Although linen features prominently in Lithuanian folktales and folk songs, we rarely hear about wool. However in the cold climate working with wool was an integral part of daily life forrural villagers in Lithuania. Small farms were self-sufficient; little or no money was needed to supplement the household’s home production. All the women and girls in a family spun, wove, knitted, and felted wool to create all of the households woolens.


Easter Palms (Verbos)
History and Significance of Verbos in Lithuanian Life: Palm Sunday is an important part of the Easter tradition. Learn about the history of decorated palms and get to know the customs and decorative techniques specific to Lithuania. (Please note, this is not a hands-on workshop.)


Black Ceramics (Juoda Keramica)
History and use of black ceramics in Lithuania: The tradition of black ceramics has been documented in Lithuania for centuries. Although eventually falling out of favour due to other pottery techniques, Lithuania is one of the few places that still make this beautiful pottery. Learn about the history, techniques and artistry of black ceramics.


Amber (Gintaras)
Gintaras – Our Golden Heritage: Gintaras, or Amber, has been important to Lithuanians and Baltic people for millennia. Important in terms of culture, art and symbolism. Learn about various aspects of Amber to bring you to a new and better understanding and appreciation of this beautiful “golden stone”.


Easter Eggs (Marguciai)
History and Significance of Easter Eggs in Lithuanian Life: The egg has long been seen as a symbol of fertility and life. Learn about the role of decorated eggs in ancient and modern times. Get to know the customs and decorative techniques specific to Lithuania.

What is an LTFAI talk?

We are excited to launch our online LTFAI Talks. We hope to have a series of talks on topics that are relevant to Lithuanian folk art. These are lectures, not workshops, that will provide interesting information for anyone interested in folk art.

They will be from a half hour to a full hour in length with time for discussion at the end.

Each LTFAI Talk is free but you have to register to get an invitation to the session.

Giles Bugailiskis Bio

Raised in the Lithuanian community in Hamilton, Ontario. He moved to Winnipeg, Manitoba, to attend university and was a long-time board member of the Lithuanian Canadian Community there and now serves as the resource person for inquiries about the Lithuanians in Manitoba. Giles has over 30 years of experience in municipal heritage conservation planning and public outreach, having retired as the City of Winnipeg’s Senior Planner for Heritage. He is also a current member of the LTFAI Board.

Ramune Jonaitis Bio

Ramune is a translator and editor, who worked with the Canadian Lithuanian Weekly Tėviškės žiburiai as managing editor for over 20 years.

She is also an artisan who makes mosaics and jewellery using Lithuanian motifs and amber. She is a long time member of LTFAI and has recently served on our board. She learned tapestry-weaving from Aldona Vaitonienė, a master weaver in Toronto, Canada.

Testimonials: My first ever tapestry. I am an artist so I did a little extra with the beads and wire cord to hang. It reminds me of a dress so I had fun with that thought. 😉

I think you did an excellent job with the workshop, especially for those of us with no experience weaving. I have already ordered yarn. The colors in this piece was whatever my friend gave me as I was not able to go out shopping.

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